First and foremost, there's a website called Transom.org where you can find essays by the most experienced people doing radio documentaries, including a few This American Life regulars (Nancy Updike, Alex Blumberg, Jonathan Goldstein, Sean Cole, Dave Kestenbaum, John Hodgman, Sarah Vowell, Paul Tough and Scott Carrier) but also greats like Errol Morris, Studs Terkel, Robert Krulwich, Brooke Gladstone and Dave Isay.
Ira Glass's "Manifesto" on Transom is here.
DIY Radio Guides
How to Make Radio Comic Book
We put this comic book out as a how-to, for anyone who wants to make radio stories. It's illustrated by Jessica Abel and written by Jessica and Ira Glass. You can also get it as a PDF download.
Radio Diaries Teen Reporter Handbook
Don't be put off by the title. This handbook – which is free and online – has lots of advice that'll be useful to any beginner.
The DIY Radio Rookies Toolkit
Includes their own comic book, instructional videos, and tip sheets, all downloadable for free online.
Reality Radio: Telling True Stories in Sound
John Biewen, editor, with Alexa Dilworth
This book, by the Center for Documentary Studies, includes essays by lots of producers, including Joe Richman, Jay Allison, the Kitchen Sisters, Stephen Smith and Ira Glass.
On Storytelling — VideosIra writes: "These videos were shot by producers with that TV channel Current.com, which encourages amateurs everywhere to shoot and make their own stories and put them on the air. It's one of a series of videos they did with all kinds of broadcasters giving tips to beginners. On the Internet, I seem to be more famous for these videos than for any of my actual work."
This American Life producer Brian Reed spoke at The Conference on "The Craft of Storytelling" about the three key elements of a good story: action, reflection, and stakes.
Transom worked with videographer Andrew Norton to create the This Is Radio series: video portraits of radio producers talking about their process.
Check out the whole series here.
The Gear We Use:This American Life producers record in the field on Marantz PDM 661 digital recorders, with Audio-Technica shotgun microphones (AT835b, AT8035 and AT897). We like shotgun mics because they give you a prettier sound for interviews with less room noise, and when you need to capture the sounds of machines clicking and cows mooing and all the other ambient audio that makes up a radio documentary, you can point at what you're trying to record and isolate it from the surrounding environment a bit. Occasionally in specialized situations we'll also use a wireless mic, which is a great thing to have but definitely not a necessity for a beginner. Ira recalls: "I bought my first wireless when I was 33. I'd worked in radio for 14 years without one. It was, no kidding, more expensive than the car I drove at the time, a pro Lectrosonics rig that cost me $1800." We edit and mix the radio show on Mac computers with Pro Tools, using its basic Mbox 2 setup. Our studio mixer these days is a nifty little six-fader Axia broadcast console. In the studio we have Shure KSM-32 mics, which are the great $500 knockoffs of the gorgeous $3400 Neumann U87's you hear on the big NPR news shows. Ours were actually donated to us by Mrs. Shure in the early days of our show. Shure Inc. is located in the Chicago suburbs and we suppose she must've been a fan of WBEZ. For more details on our gear, software, and process: Ira wrote a "How I Work" article on Lifehacker.
And Transom also has a Tools section that has a bunch of reviews of cheap, good equipment you can use to make radio. They have guides on how to do digital editing and mixing.
Jobs and Internships:
- Current.org's Directory of Public Radio Jobs and Internships
- NPR's Next Generation Project
- NPR Kroc Fellowships
- NPR Jobs and Training Opportunities
- NPR Internships
- Chicago Public Radio internships
- Our fellowship
- The Salt Institute for Documentary Studies
- The Transom Story Workshops
- Columbia University Journalism Grad School
- UC Berkeley Grad School in Journalism
- The Stanford Storytelling Project
Third Coast Audio Festival
The Third Coast Festival is both an international radio competition and a convention of like-minded radio people from around the world. Here are some useful discussions from the festival:
- Our Senior Producer Julie Snyder on a panel about how to pitch your story to a radio show
- Radio Lab's Jad Abumrad giving a workshop on music in radio stories
- Planet Money's Dave Kestenbaum giving a workshop on explaining the world in four minutes
- Radio Diaries' Joe Richman giving a workshop on first person radio stories
- Transom's Rob Rosenthal on bringing extra batteries and other essential basics